Sometimes my posts are written and scheduled in advance. Otherwise I’d lose my mind. Others are as-it-happens. Real life. This is one of the real life ones.
Probably I should make this into some sort of “10 ways to invigorate your creative soul” but I don’t have it in me today – perhaps another time. Also, if I sound pretty miserable, please don’t worry – I’m not actually. I just feel sort of like being quiet. And compared to my gregarious self that is mostly on show, this quietness might come across as something else. You’d think wanting to be quiet would mean not blogging, but I find writing sorts out the clutter of my mind in ways that talking doesn’t.
Also I’m tired. Did I
bore you all mention I have chronic insomnia? I know I know, everybody has terrible sleep. I don’t know how mine compares to everyone else’s, but when I say I don’t sleep, I don’t mean I only get 4 hours instead of the regulation 7. I mean I often don’t get any, at all, for many nights in a row. It got so bad a few years ago, I had to give up a job. It’s a real shame, insomnia, it’s hard to resolve.
Anyway, that’s not what this post is about! (though if anyone has any wonder tips, please feel free to sling’em my way). This post is about these two:
They look pretty good in black and white. I like to take photos of my work like this to make sure the values are working. And I can see that they are. But in colour, it’s another story.
These paintings are based on some hills near my home. Well worth the hike, when you reach the top you have panoramic views towards Exmoor, Wales and Somerset beyond.
Now, they are work in progress. But I can’t decide if I love them or hate them. Actually I just snapped my head up from the computer to look at them and I liked what I saw – this photo doesn’t really capture the colour too well either. They’re more blue than violet.
These paintings are much larger than I normally paint – 12 x 12 inches. Usually I paint small, between 5 x 5 inches up to perhaps 10 x 10 inches. I have done the odd abstract that was 16 x 20 inches, but all my landscapes are small. And I am so surprised and shocked at how hard I found it painting larger. I have no idea how all you 30 x 36 inch people do it!
And so I’m frayed and feel run ragged by them! And, I was also surprised at how much I fussed over detail. I think over time I’ve got reasonably good at not getting tight, even though I paint small: I paint on long handled brushes, I use a large brush, I stand whilst I paint, mostly. And so I can see very easily the whole painting. With these pair, I fiddled about so much it threw me. I didn’t enjoy it at all. Though I used large long handled brushes, stood at the easel, I really felt on top of the painting. I found it easier to get lost in it. Has anyone ever experienced this with larger paintings? I had it in my head that painting larger meant free-er movement and mark making….not so in my case folks!
It’s 4:30pm. Which means I’m beginning to flag and it’s time to put the kettle on. Ciao.